Questão 37 item 4 - (Inglês - 1a Fase - CACD 2024). It can be correctly concluded from the excerpt "Pr

Enunciado:

Text II

This book wants to show the newcomer the lie of the land without confusing him with details. In writing it I thought first and foremost of readers in their teens. But I have never believed that books for young people should differ from books for adults except for the fact that they must reckon with the most exacting class of critics, critics who are quick to detect and resent any trace of pretentious jargon or bogus sentiment. I know from experience that these are the vices which may render people suspicious of all writings. I have striven to use plain language even at the risk of sounding casual or unprofessional. I hope that no reader will attribute my decision to ‘talk down’ to him. Apart from this decision, I have tried to follow a number of more specific self-imposed rules, such as limiting myself to real works of art and cutting out anything which might merely be interesting as a specimen of taste or fashion. This decision entailed a considerable sacrifice of literary effects. Praise is so much duller than criticism, and the inclusion of some amusing monstrosities might have offered some light relief. Thus, while I do not claim that all the works illustrated represent the highest standard of perfection, I did make an effort not to include anything which I considered to be without a peculiar merit of its own.
A second rule also demanded a little self-denial. I vowed to resist any temptation to be original in my selection, lest the well-known masterpieces be crowded out by my own personal favourites. This book, after all, is not intended merely as an anthology of beautiful things; it is meant for those who look for bearings in a new field, and for them the familiar appearance of apparently ‘hackneyed’ examples may serve as welcome landmarks.
One more rule I have followed. When in doubt I have always preferred to discuss a work which I had seen in the original rather than one I knew only from photographs. I should have liked to make this an absolute rule, but I did not want the reader to be penalized by the accidents of travel restrictions which sometimes dog the life of the art-lover.
E.H. Gombrich, The Story of Art
(Phaidon, New York - London 1995, p. 7-8 [adapted])

Based on text II, judge whether the following statements are right (C) or wrong (E).

Texto do item:

It can be correctly concluded from the excerpt “Praise is so much duller than criticism” (ninth sentence of the first paragraph) that the author wishes to write a book criticizing what he considers “monstrosities.”

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ERRADA

A afirmativa está incorreta. No trecho citado, "Praise is so much duller than criticism, and the inclusion of some amusing monstrosities might have offered some light relief", o autor reconhece que elogiar é geralmente menos interessante do que criticar e que incluir algumas "monstruosidades" divertidas poderia ter proporcionado um alívio cômico ao livro. No entanto, ele deixa claro que optou por não seguir esse caminho.

O autor explica que, apesar da tentação de incluir obras que poderiam ser alvo de crítica ou que servissem como exemplos de gosto ou moda, ele decidiu se limitar a obras de arte reais, evitando aquelas que não possuíssem um mérito peculiar. Ele menciona que essa decisão implicou em um sacrifício considerável de efeitos literários, justamente porque a crítica poderia tornar a leitura mais dinâmica ou entretida.

Portanto, não se pode concluir corretamente que o autor deseja escrever um livro criticando o que ele considera "monstruosidades". Pelo contrário, sua abordagem é oferecer ao leitor uma visão das obras que ele acredita terem valor, sem recorrer à crítica de peças que não atendam a esse critério. A intenção do autor é educar e orientar, não satirizar ou depreciar obras artísticas.


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